Title:Â Blame! and Servo…(single)
Artist:Â Rotten Lily
Release Date:Â 22 August 2013
Genre: Lo-Fi / Post-Rock
License: Blame: CC BY-NC-ND and Servo: CC BY-NC
Release Labels:: unpicked.net and Tekko Music Production
[Note: The Servo single was rolled into the release PewPewPew by Rotten Lily.]
This is one of the most surprising finds I’ve had in quite a while. Â Why? Â Because this is a group that defies categorization. Â Start with the first track, ‘odejahumnandaho odejaho’ – a meditative prayer like song with Native American harmonic structure. Â It starts with a slow acoustic guitar, and a single voice and builds in intensity and vocal lines, before receding back to a single vocal line with guitar.
The second track ‘done for today’ is completely different: mechanical drums and percussion with an arpeggio piano line, and walking bass. Â Then it erupts into a loud, noisy almost chaotic bridge before receding back to simple block chords on the piano. Â About the only relationship between these two tracks is that they are recorded with low-fidelity equipment, as is evident by the hiss from the recording medium.
Even that link isn’t constant throughout these recordings. Â This band plays as much with recording style as they do with song structure, harmonics and rhythms. Â They are artists on many levels, but extending that artistry to their recording styles would be irrelevant if this wasn’t a group that didn’t have the chops to come up with interesting, and I dare say rocking pieces to match their ambitious recording.
But, if what I read about this group on the Unpicked release page for Blame! is correct, it sounds like this is group of very strong musicians, with very different influences, styles and personalities. Â And that comes out in this music.
When I read Rotten Lily described in this way, I cannot help but think about “super groups” from the late 1960’s and 1970’s. Â Groups like Yes, where each musician was very talented, skilled and well known in their own right, merging into a group that tried to forge a new ground or direction by fusing their unique influences. Â However, unlike Yes, Rotten Lilly is a modern “post rock” merging of musicians. Â Their musical ideas are concise, and not the 10-20 minute long sprawling epics of groups like Yes.
But, even after saying all of this, the band has a very self-deprecating way of describing themselves as seen in this interview [Note: the unpicked.net website is no longer available]. (That interview is for their Jazz release, as you will see. Â I will review that later…)
It’s basically impossible to single out any tracks as being outstanding on this release: all of the tracks are outstanding. Â The same applies to the three tracks on the Servo… single. Â Each track is unique, and excellent listening. Â It’s really worth picking up both of these releases, and listening to them many, many times. Â If this is the future of music (and I really hope it is), then we are in good hands with Rotten Lilly.