Tunguska impresses me because I can be chillin’ out with Tunguska one minute, deep jungle groovin’ the next, and go in a different direction in the third.
Two hours of atonal improvisation? Not easy listening, but rewarding.
On day five, I listened to the “Gretchen” and “Chronicles of the Suspicious Gentleman” sections of this massive work, and look at some of their elements.
This section is sub-titled Operatic Laughter. The opening starts with an opera sample, chopped up and looped juxtaposed with a cheesy latin-style jazz piece.